Channan Willner
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2021. "Mozart's Delayed Dominants, I:
Long-range Voice Exchanges"
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2021. "Mozart's Delayed Dominants, II:
The Subordinate Theme(s)"
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2020. "Telemann's (Ir)regular Ritornellos or, Durational Idioms in Baroque Phrase Rhythm."
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2019. "Baroque Borrowings and Tonal Domains in Mozart's Piano Concerto in B♭, K. 450, I."
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2019. "Schubert's 'Unfinished' Symphony: Dance Topics, Borrowings, and the Sense of an Ending."
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2010. "Domenico Scarlatti and the Hidden Voice Exchange."
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2009. "Beethoven and Handel: The Significance of a Borrowing"
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2009. "Sequential Expansion and Baroque Phrase Rhythm"
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2009. " Then and Now: Heinrich Schenker's Analysis of the Sarabande from Bach's E minor English Suite "
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2007. "Bar 0 and the Suppressed Hyperdownbeat"
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2007. "Kirnberger's 4/4 Meters and Handel's Basic Paces: The Growth of Temporal Narrativity Across Four Decades of Composition."
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2007. "Metrical Displacement and Metrically Dissonant Hemiolas." [original version]
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2007. "Mozart and the English Suites: Borrowings, Isorhythm, and Plasticity"
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2007. "On Irregularity in Baroque Phrase Rhythm"
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2007. "The Polyphonic Ursatz"
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2006. "Baroque Styles and the Analysis of Baroque Music," in Structure and Meaning in Tonal Music: Essays for Carl Schachter.
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1996d. "Handel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg," Music Theory Online 2/7 (November 1996), at http://www.mtosmt.org/issues/mto.96.2.7/
mto.96.2.7.willner.html


[see also Schulenberg 1996. Schulenberg, David. "Commentary on Channan Willner, 'More on Handel and the Hemiola'," Music Theory Online 2.5 (July 1996), at http://www.mtosmt.org/issues/mto.96.2.5/
mto.96.2.5.schulenberg.html


1996e. "More on Handel and the Hemiola: Overlapping Hemiolas," Music Theory Online 2/3 (March 1996), at http://www.mtosmt.org/issues/mto.96.2.3/
mto.96.2.3.willner.html


NB. Other publications from 1996 are listed in the "Publications and related works" subpage.